-
Fanfare Magazine Interviews Benedict Sheehan
Fanfare Magazine’s James A. Altena has a new must-read interview with Benedict Sheehan after the release of his Divine Liturgy of Saint John Chrysostom recording with the St. Tikhon Choir on Cappella Records: Benedict Sheehan is the artistic director of the Saint Tikhon Choir, at St. Tikhon’s Orthodox Monastery in South Canaan, PA (in the
-
Requiem for the Forgotten, Cantus Missae (Program Notes by Mark Powell and Frank La Rocca)
Requiem for the Forgotten, Cantus Missae Program Notes by Mark Powell and Frank La Rocca Josef Rheinberger: Cantus Missae in E-flat major, Op. 109 SEATTLE Friday, March 28 @ 7:30pmSt. James Cathedral PORTLAND Saturday, March 29 @ 2:00pmSt. Mary’s Cathedral LAKE OSWEGO Sunday, March 30 @ 3pmOur Lady of the Lake Parish Josef Gabriel Rheinberger
-
Annunciation Program
Annunciation Portland Friday 17 March 2023, 7:30 P.M.The Madeleine Parish Seattle Sunday 19 March 2023, 4:00 P.M.St. Demetrios Greek Orthodox Church Chamber Music Based on Byzantine Chant Cappella Romana’s Annunciation program is a natural outcome of Cappella Romana’s first collaboration with virtuoso pianist and Byzantine cantor Paul Barnes. For the world premiere of the piano
-
Kastalsky Requiem: Program Notes
Vasily Polikarpovich Titov (c.1650–c.1715) – Cherubic Hymn; Megalynarion Vasily Titov was one of two leading composers of Russian Baroque music, the other being Nikolai Diletsky (c. 1630–80). Titov’s life and work mark the mid-point of the process of Russia’s musical Westernization, which gained new momentum during the reign of Tsar Peter the Great (1689 –1725).
-
Steinberg Passion Week a “Landmark Recording”
The Orthodox Arts Journal‘s Benedict Sheehan gives Cappella Romana’s upcoming Maximilian Steinberg Passion Week an absolute rave: “Every so often a record comes along that changes the landscape of choral music.…The work itself is the sort of thing musicologists dream about: a treasure of inestimable musical value, hidden away in some attic or dusty library
-
A Time For Life — Structure
The composite text for A Time for Life was adapted from a wide range of sources that explore the relationship of humanity to nature. The work is structured in three large-scale parts, as follows: Part I: Creation In the first part, the nature of creation is celebrated through praise for the Creator and through rejoicing
-
Keeping Up with the Venetians — Part Two
Keeping Up With The Venetians Continued from Part One Program Notes for Venetian Baroque: Galuppi + Vivaldi + Bortniansky Galuppi further exceeded his contractual duties by teaching composition to some of the Cappella singers. One such singer was the Ukrainian Dmitro (or more commonly Dmitry) Bortniansky. When Galuppi left St. Petersburg in 1769, he took
-
Oregon Arts Watch Review for “A Song of Creation”
Cappella Romana’s performance…was an electrifying, bristlingly intense superabundance of laser-beam monody and…florid counterpoint in the Eastern Orthodox style. … Here, the modern music was a vivid variety of sacred choral music by contemporary composers Matthew Arndt, John Michael Boyer, Alexander Khalil, Kurt Sander, Richard Toensing, and Tikey Zes. The six composers, according to the program,
-
ArtsWatch Reviews Venice In The East
Bruce Browne reviewed Cappella Romana’s Saturday, April 28, 2018 performance of Venice in the East for Oregon ArtsWatch: Present were exquisite moments of choral artistry, impeccable tuning, bravura singing by all and thoughtful phrasing, especially by John Michael Boyer and Mark Powell, who together stood at the pinnacle of the solo work, especially many of
-
Good Friday in Jerusalem — Video from London
Cappella Romana releases its 20th recording in conjunction with performances of music for Good Friday in Jerusalem THIS WEEKEND. Directed by Alexander Lingas featuring solo psaltis Stelios Kontakiotis. This film features the performance at London’s oldest church, St-Bartholomew-the-Great in the City of London. Pre-Order Good Friday in Jerusalem on Amazon Today! Good Friday in Jerusalem
-
Lost Treasures of Armenia
The Holy Armenian Apostolic Orthodox Church continues to embody a living tradition of primarily monodic vocal music of exceptional richness and beauty. Though its hymnography is traditionally believed to have commenced with the invention of the Armenian alphabet in the fifth century, and the Hymnal as a canonical collection was definitively closed in the fourteenth
You must be logged in to post a comment.